SKU: 48633808052

Great Women Sculptors

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Description

Great Women SculptorsAs seen in The New York Times, Vanity Fair, and ELLE Decoration A celebration of more than 300 groundbreaking women sculptors that surveys 500 years of creative ingenuity from around the world Presenting a more expansive and inclusive history of sculpture, Great Women Sculptors surveys the work of more than 300 trailblazing artists from over 60 countries, spanning 500 years from the Renaissance to the present day. Organized alphabetically, each artist

As seen in The New York Times, Vanity Fair, and ELLE Decoration

A celebration of more than 300 groundbreaking women sculptors that surveys 500 years of creative ingenuity from around the world

Presenting a more expansive and inclusive history of sculpture, Great Women Sculptors surveys the work of more than 300 trailblazing artists from over 60 countries, spanning 500 years from the Renaissance to the present day.

Organized alphabetically, each artist is represented by an image and newly commissioned text. This wide-ranging survey champions the best-known women sculptors from art history alongside today's rising stars. From more recognizable names such as Camille Claudel, Gego, Barbara Hepworth, and Yayoi Kusama to some of today's most significant contemporary artists including Huma Bhaba, Mona Hatoum, and Simone Leigh, this book showcases 500 years of sculptural creativity in one accessible, visually stunning volume.

Artists featured, in A-Z order by surname: Magdalena Abakanowicz; Alice Adams; Kelly Akashi; Jane Alexander; Shaikha Al Mazrou; Olga de Amaral; Janine Antoni; Ruth Asawa; Tauba Auerbach; Ghazaleh Avarzamani; Alice Aycock; Margarita Azurdia; Leilah Babirye; Nairy Baghramian; Natalie Ball; Rina Banerjee; Fiona Banner aka The Vanity Press; Rosa Barba; Phyllida Barlow; Yto Barrada; M?ria Bartuszov?; Rana Begum; Nina Beier; Patricia Belli; Lynda Benglis; Lauren Berkowitz; Sarah Bernhardt; Huma Bhabha; Alexandra Bircken; Cosima von Bonin; Monica Bonvicini; Chakaia Booker; Louise Bourgeois; Carol Bove; Beverly Buchanan; Heidi Bucher; Dora Budor; Angela Bulloch; Teresa Burga; Seyni Awa Camara; Elaine Cameron-Weir; Nina Canell; Jodie Carey; Claudia Casarino; Rosemarie Castoro; Elizabeth Catlett; Helen Chadwick; Judy Chicago; Saloua Raouda Choucair; Chryssa; Lygia Clark; Camille Claudel; Marie-Anne Collot; Gisela Colon; Marta Colvin; Fiona Connor; Nicola Costantino; Petah Coyne; Anne Seymour Damer; Vanessa da Silva; Paula Dawson; Berlinde De Bruyckere; Agnes Denes; Abigail DeVille; Karla Dickens; Tara Donovan; Sokari Douglas Camp; Mikala Dwyer; Abastenia St. Leger Eberle; Nicole Eisenman; Vaska Emanuilova; Tracey Emin; Ayse Erkmen; Helen Escobedo; Tamar Ettun; Claire Falkenstein; Alia Farid; Monir Shahroudy Farmanfarmaian; Simone Fattal; F?licie de Fauveau; Lara Favaretto; Maria Faydherbe; Rachel Feinstein; Sonja Ferlov Mancoba; Teresita Fern?ndez; Sylvie Fleury; Ceal Floyer; Laura Ford; Mar?a Freire; Nancy Fried; Elisabeth Frink; Katharina Fritsch; Meta Vaux Warrick Fuller; Sue Fuller; Anya Gallaccio; Lily Garafulic; Adebunmi Gbadebo; Gego; Isa Genzken; vanessa german; Sonia Gomes; Dora Gordine; Sheela Gowda; Laura Grisi; Nancy Grossman; Gu Erniang; Guan Xiao; Shilpa Gupta; Fiona Hall; Lauren Halsey; Anthea Hamilton; Han Sai Por; Siobh?n Hapaska; Rachel Harrison; Emma Hart; Auriea Harvey; Maren Hassinger; Mona Hatoum; Holly Hendry; Camille Henrot; Barbara Hepworth; Gertrude Hermes; Eva Hesse; Sheila Hicks; Nancy Holt; Jenny Holzer; Rebecca Horn; Roni Horn; Harriet Hosmer; Kl?ra Hosnedlov?; Marguerite Humeau; Anna Hyatt Huntington; Cristina Iglesias; Iman Issa; Ann Veronica Janssens; Madeleine Jouvray; Katarzyna J?zefowicz; Caterina de Julianis; Nadia Kaabi-Linke; Reena Saini Kallat; Edith Karlson; Bronwyn Katz; Clementine Keith-Roach; Zs?fia Keresztes; Rachel Khedoori; Bharti Kher; Kimsooja; Katarzyna Kobro; K?the Kollwitz; Elza K?vesh?zi-Kalm?r; Brigitte Kowanz; Kitty Kraus; Shigeko Kubota; Shio Kusaka; Yayoi Kusama; Alicja Kwade; Nicola L.; Marcelle Ren?e Lancelot-Croce; Artis Lane; Greer Lankton; Liz Larner; Lee Bul; Marie-Louise Lef?vre-Deumier; Simone Leigh; Jac Leirner; Sherrie Levine; Hannah Levy; Edmonia Lewis; Tau Lewis; Liao Wen; Liliane Lijn; Kim Lim; Won Ju Lim; Laura Lima; Maya Lin; Lin Tianmiao; Tayeba Begum Lipi; Rita Longa; Liza Lou; Sarah Lucas; Savia Mahajan; Anna Maria Maiolino; Anina Major; Tosia Malamud; Rebecca Manson; Teresa Margolles; Marisol; Maria Martins; Rebeca Matte; Rita McBride; Andrea de Mena; Lindsey Mendick; Marisa Merz; Annette Messager; Marta Minuj?n; Mary Miss; Kazuko Miyamoto; Nandipha Mntambo; Anna Morandi Manzolini; Delcy Morelos; Mariko Mori; Blanche-Ad?le Moria; Annie Morris; Meera Mukherjee; Mrinalini Mukherjee; Vera Mukhina; Portia Munson; Wangechi Mutu; Ethel Myers; Rei Naito; Ana Navas; Senga Nengudi; Rivane Neuenschwander; Louise Nevelson; Otobong Nkanga; Tomie Ohtake; Precious Okoyomon; F?sun Onur; Meret Oppenheim; Chana Orloff; Virginia Overton; Katrina Palmer; Lygia Pape; Cornelia Parker; Helen Pashgian; Jennifer Pastor; Katie Paterson; Beverly Pepper; Judy Pfaff; Julia Phillips; Patricia Piccinini; Cathie Pilkington; Paola Pivi; Liliana Porter; Marjetica Potrc; Jane Poupelet; Germaine Richier; Clara Rilke-Westhoff; Luisa Rold?n; Annabeth Rosen; Properzia de' Rossi; Eva Rothschild; Michal Rovner; Nancy Rubins; Kathleen Ryan; Veronica Ryan; Alison Saar; Betye Saar; Niki de Saint Phalle; Takako Saito; Doris Salcedo; Augusta Savage; Mira Schendel; Lara Schnitger; Claudette Schreuders; Dana Schutz; Irena Sedleck?; Usha Seejarim; Tschabalala Self: Beverly Semmes: Arlene Shechet: Shen Yuan; Alyson Shotz; Mary Sibande; Ayesha Singh; Lucy Skaer; Kiki Smith; Renee So; Valeska Soares; Monika Sosnowska; Diamond Stingily; Jessica Stockholder; Michelle Stuart; Alina Szapocznikow; Sarah Sze; Sophie Taeuber-Arp; Dorothea Tanning; Lenore Tawney; Alina Tenser; Tatiana Trouv?; Anne Truitt; Shirley Tse; Sara VanDerBeek; Paloma Varga Weisz; Joana Vasconcelos; Cecilia Vicu?a; Claude Vignon; Ursula von Rydingsvard; Kara Walker; Meg Webster; Nicole Wermers; Pae White; Rachel Whiteread; Gertrude Vanderbilt Whitney; Alison Wilding; Hannah Wilke; Jackie Winsor; Betty Woodman; Yamazaki Tsuruko; Haegue Yang; Kennedy Yanko; Lena Yarinkura; Anicka Yi; Yin Xiuzhen; Daisy Youngblood; Andrea Zittel.

Binding Type: Hardcover
Author: Phaidon Editors, Lisa Le Feuvre (Introduction by)
Published: 09/24/2024
Publisher: Phaidon Press
ISBN: 9781838667771
Pages: 344
Weight: 5.50lbs
Size: 11.70h x 10.20w x 1.50d

About the Author

Phaidon Editors

Lisa Le Feuvre is a curator, writer, and editor. She is inaugural Executive Director of Holt/Smithson Foundation, the artist-endowed foundation dedicated to the creative legacies of Nancy Holt and Robert Smithson. Between 2010 and 2017 Le Feuvre was Head of Sculpture Studies at the Henry Moore Institute, directing the research component of the largest artist-endowed foundation in Europe, leading programs of education, research, collections, publications, and exhibitions focused on sculptural thinking. Le Feuvre has written and contributed to many books, including Nancy Holt: Inside/Outside, published by Monacelli Press.

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SKU: 48633808052

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4.3 ★★★★★
Based on 14 reviews
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Product Reviews
M
Verified Purchase
morey smith
Lexington, US
★★★★★ 5
Easy to apply.
Size: 4 Oz
Product did a great job renewing my plastic house shutters. It brought back the deep rich color and made them look better the new.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 27, 2026
S
Verified Purchase
Stuart R. Stengel
Natrona Heights, US
★★★★★ 5
Great Stuff
Size: 120 ML
Product is good, Easy to spread for the most part. The only complaint I would give it is that the applicators do not hole up after several applications, I would suggest using a microfiber cloth to apply.
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Reviewed in the United States on June 1, 2026
T
Teresa Wilson
Lexington, US
★★★★★ 5
Restored My Trim Instantly
Size: 120 ML
I used this plastic restorer on the faded trim around my SUV, and the difference was immediate. The dull gray plastic turned back to a rich black color within minutes. It spreads evenly and doesn’t leave greasy streaks behind. After a few weeks and several rainy days, the finish still looks great. My car honestly looks years newer now.
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Reviewed in the United States on May 11, 2026
E
Verified Purchase
Eric J. Jenislawski
Bozeman, US
★★★★★ 5
Great result, exceptional value, and easy, forgiving application.
Size: TRIM COAT KIT
I am thoroughly pleased with the results of this product, and the application was easier than I expected. Outstanding stuff. I am writing a longer review in case it helps people who are unsure about a "once and done" product that calls itself permanent. It's not hard to apply. It is forgiving and there's time to even it out. But here are some things to anticipate. My use case: I used Cerakote to restore the plastic trim on a used 2014 black Dodge Challenger that had been repainted but the plastic trim was original and it had been kept outside by the prior owner, so the contrast between the new paint and faded trim was noticeable. The trim was originally a deep, dark gray (it is never as black as the paint). It had faded to a medium-gray in many places: running boards on the side beneath the door, below the read bumper (which were also somewhat worn from debris), around the tail lights, and the plastic piece beneath the windshield wipers between the windshield and the hood. These were all looking weathered. The trim was very oxidized in some places, chalky grey near the hood and around the back bumper. The plastic around the tail lights also had light streaks in it from where water drains down from the trunk. What else I tried before I tried Cerakote: I got middling results from Mother's Back to Black. It looked somewhat better for a week or two, and then it went back to looking as before. Not impressed. I got a tip online to try rubbing the plastic trim with a melamine magic eraser, so I did that next, and this made a significant difference. Melamine is abrasive, so be careful if you do this on your trim. I went gently, up-and-down, side-to-side and in small circles, by hand, with gentle pressure like one would with a polishing compound. By removing the oxidation, the plastic was a few shades darker in the worst spots and the streaking on the rear tail light piece was gone. The rough spots on the trim at the bottom of the car and around the wheels looked somewhat better. But it certainly did not "like new." Cerakote experience: I decided to give Cerakote a try based on the video and good reviews. Bam! Back to factory-like deep dark gray. I wish I had taken pictures. It's incredible. Fully satisfied! I had already washed the trim with Dawn dish soap. I started with the trim bone dry. You are warned everywhere that water droplets will ruin the result, so don't expect to do this process right after you wash the car unless you like to live dangerously and have compressed air to spray cracks and crevices. I was worried that application would be streaky if I didn't do it right. Not so. It is forgiving. Here's what I learned. 1) The first 20% of what you'll get out of the packet goes on heavy with the lightest touch. One packet goes a long way. The next 60% is the "normal" application. This goes on the easiest. You can really milk the last drop out of each towelette, but I didn't because the last 20% of what you can get out of it by rubbing it really hard comes out very light and is not worth the uneven application unless you have some random area you don't care much about and want to use the remainder for that. I only used 5 packets to do the whole car. When you start a new packet, the beginning is where you might want to go back later and even it out once the application gets more normal. Or better, start a new packet on a big section to spread it around well and then move to smaller trim when the towelette is less fresh. 2) You've got time to work with it and make corrections. It stayed liquid like water for at least 20 minutes in my conditions: about 80 degrees, not very humid, indirect sunlight on an 80 degree car. Don't apply in direct sun or on a hot car. The product then gets sticky as it cures, but you can still work with it during the sticky time, rubbing it in and spreading it evenly with the towelette. I did not use a microfiber to "knock down" heavy spots. I just came back around with the towelette. I think a dry microfiber might pull off too much product. When it is half-cured, it is sticky and you can buff it with the towelette at this stage to further flatten and even things out. Work in sections, one piece of trim at a time. 3) Overlaps won't show as long as you rub it all in thoroughly. I tried the overlapping parallel passes method that they recommend, and this works pretty well. I was worried that I might get a "double heavy" streak where the passes overlap but this not so unless the towelette is fresh, but this is fixable. You can do a pretty natural, casual back-and-forth motion for the most part and it comes out fine. This is NOT a super-finicky product. I made a second or third back-and-forth pass in a few areas, and used circular motion in some places where the trim was textured or a little rough from wear, and it all looked even in the end. Just rub it down into the plastic and even out the sheen while it is uncured and it's good. 4) It cures like you see it when it's still wet. It doesn't lighten up very much as it cures. It just looks a little less wet. So get it right by eye when it is wet and that's pretty much what you will still have in an hour when it is cured. 5) Don't miss a spot! You'll see it for sure if you do because the different is so dramatic. And a "second coat" is not easy or recommended. This is the only once-and-done part that you want to get right, and you have plenty of cure time to be thorough. 6) Use the folded corner of the towelette to get into small corners and edges, like where the trim meets the paint or has an inside corner or some little nook. A fresh towelette is great for getting into small areas because a feather touch applies plenty of product when the towelette is fresh. The trim now looks amazing and I am entirely satisfied. I will use Cerakote on my other vehicles. The only minor con is a strong ammonia smell when you are up close to it while it is wet. No smell once it is cured. I would definitely wear the recommended gloves while applying. As others say, you will probably drop that towelette on the ground. It's slippery when wet. Keep it folded in quarters as it comes for ease of application. Turn to a new quarter once a side gets dirty or dry and fold it inside out for four more quarters to use. Bonus, but off-label -- at your own risk: The product is not intended for the soft rubber around the windows, but I tried it there too, and it looks amazing. All I did was wash the rubber with dish soap like the trim, and I rubbed it a few times with a wet microfiber cloth to get the superficial layer of oxidized rubber off. Then I applied Cerakote. It looks great. The rubber used to be blotchy and faded. The microfiber evened this out a little. I would not use melamine on the rubber -- this made it look worse in a test section. The Cerakote made it look great: jet black, much shiner, and much more even looking. Not quite "brand new" but far better than I thought possible. I thought I might need to replace the rubber. Now it's looking great next to the jet-black new paint. This afterthought use alone was worth the money. Can you apply a second coat the next day? They don't say you can, and I don't recommend it. This is meant to be one-shot, which is why you should check to make sure you don't miss any spots. I had two areas where I tried a second coat the next day. The first was on the plastic trim between the windshield and the hood. I didn't rub this trim much with melamine beforehand so there was a lighter area (light grey originally, the worst spot) that didn't get as black as the other sections so I did it again, which helped a little, but not much. I didn't wash this area with soap beforehand because I wasn't intending to fix it until I got going. Once you put things back to black you will start noticing other faded things more. Likewise, I did a second coat on the very top of the soft rubber at the bottom of the windows (the part which faces upward and thus gets the most sun), it wasn't as shiny as the other parts, so I went over that section gently again the next day with a fresh towelette. As soon as I did it, I thought it was a mistake. This didn't go well initially because the cured coating is very hydrophobic so the new, wet, Cerakote of the second coat goes on smooth initially and then "puddles up" into little droplets a few minutes later. It doesn't want to stick to the first coat. I thought I had messed it up, but I let it cure a little until the sticky phase, and spread it out again with the towelette. It stayed that time but gathered back a little into some streaks. I spread it once more a few minutes later and it looked good. It stayed even. It looks just fine a few days later, so I think it cured OK. I hope this product last for months as advertised. Even if it doesn't I would totally do it again because the results are superior, I still have half my towelettes left, and the product is not expensive. 10/10 would do again and will recommend to everyone.
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Reviewed in the United States on June 25, 2025
R
Verified Purchase
Robert Barger
Battle Creek, US
★★★★★ 5
Easy to use, amazing results
Size: TRIM COAT KIT
This is an awesome product that is easy to use and has amazing results. My plastic trim never looked so good.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 14, 2026

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