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Description
Wyndham Collection Sheffield 80-in White Double Sink Bathroom Vanity with White Carrera Natural Marble TopSheffield 80" White Double Sink Bathroom Vanity with Carrara Marble Top A statement 80 inch double vanity from Wyndham Collections Sheffield line, finished in crisp white with a White Carrara natural marble countertop. The free standing design features undermount sinks, ample soft close storage, and transitional styling to elevate any primary bath. Key Features: Generous 80 inch footprint: Ideal for primary bathrooms, providing dual sinks and abundant
Sheffield 80" White Double-Sink Bathroom Vanity with Carrara Marble Top
A statement 80-inch double vanity from Wyndham Collection’s Sheffield line, finished in crisp white with a White Carrara natural marble countertop. The free-standing design features undermount sinks, ample soft-close storage, and transitional styling to elevate any primary bath.
Key Features:
- Generous 80-inch footprint: Ideal for primary bathrooms, providing dual sinks and abundant counter space
- Premium top: White Carrara natural marble delivers timeless veining and durability
- Transitional styling: Shaker-inspired doors with contemporary brushed hardware suit many interiors
- Smart storage: Dual door cabinets plus centered drawers and deep lower drawers keep essentials organized
- Quality construction: Free-standing wood cabinet with undermount sinks and included backsplash for a polished install
Please check the Product Data Sheet Here
Specifications Table:
| Specification | Details |
|---|---|
| Collection | Sheffield |
| Finish/Color | White |
| Type | Free-Standing |
| Number of Sinks | Double |
| Sink Style | Undermount (Square or Oval) |
| Countertop Material | Natural Stone (White Carrara) - collection also offers Man-Made Stone options |
| Eco-Friendly | Environmentally Friendly |
| ADA Compliant | No |
| Vanity with Countertop Dimensions | 80"W x 22"D x 35"H |
| Vanity Cabinet Dimensions | 79"W x 21-1/2"D x 34-1/4"H |
| Countertop Dimensions | 80"W x 22"D x 3/4"H |
| Mirror Options & Dimensions | 24"W x 3/4"D x 33"H (each) or 70"W x 3/4"D x 33"H |
| Medicine Cabinet Dimensions | 24"W x 6-1/4"D x 33"H |
| Linen Tower Dimensions | 24"W x 20"D x 71-1/4"H |
| Included Features | 1 backsplash; 2 undermount sinks; 1 sidesplash (Quartz and Cultured Marble only) |
| Warranty | 2-Year Limited Warranty |
Frequently Asked Questions (FAQ):
Q: Are faucets included?
A: Faucets are shown for reference in images; confirm package contents before purchase as faucets are typically not included.
Q: What are the overall dimensions?
A: Approximately 80"W x 22"D x 35"H including countertop and backsplash.
Q: What type of sinks are used?
A: Undermount sinks; the collection supports square or oval undermount options.
Q: Is the vanity ADA compliant?
A: No, it is not ADA compliant.
Q: What warranty is provided?
A: Backed by a 2-year limited warranty.
A Luxe, Clean-Lined Centerpiece for the Primary Bath
The Sheffield’s crisp white palette and gracious 80-inch span cultivate an airy, modern elegance. Subtle Carrara veining softens the linear silhouette, creating a refined balance of classic and contemporary. Style it with polished nickel fixtures and plush white textiles for a serene spa moment. This vanity is the anchor of a luxurious, well-appointed bath.
Transform your primary bath with this spacious, marble-topped double vanity—order the Sheffield today.
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
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4.3 ★★★★★
Based on 9 reviews
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Product Reviews
★★★★★ 4
Luke and Doctor Aphra team up!
Format: Paperback
This is the second crossover event in the Marvel Star Wars comics. It brings the ongoing Doctor Aphra and Star Wars series together. I liked the pairing of Luke with Aphra. They play well off of each other with Luke's naive goodness and Aphra's experienced gray morality. I liked when she called him a wannabe padawan.
There are some well designed characters in this comic. The residents of the Screaming Citadel have a goth bdsm vibe. Luke even gets to dress up. I liked seeing him in something different.
I want to know more about Sana and Aphra's past!!! Please, Marvel, make a queer love story prequel!!!
The murder droids are wonderful. Having them on the same side as the "good guys" for at least the time being led to some funny situations.
The last panel intrigued me. I give this graphic novel a 4/5. I am always here for more Doctor Aphra!
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Reviewed in the United States on December 29, 2017
★★★★★ 5
Excellent mini series.
Format: Kindle
This is an excellent follow up to Vader Down. Luke Skywalker and friends take on a bigger threat than The Empire and Darth Vader that is connected to the Jedi. Luke and Dr. Aphra join forces to find the answers Like is seeking. Truly worth reading and entertaining.
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Reviewed in the United States on June 23, 2019
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld.
It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale.
Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own.
Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of.
In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy.
Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019
★★★★★ 5
I love this comic book!
Format: Paperback, Format: Paperback
I love DC comics and obviously the Batfam are some of the most well known and loved characters within the DC universe. I love the art style and story in this comic. If you are debating whether or not to purchase this comic, DO IT!
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Reviewed in the United States on December 23, 2025
★★★★★ 5
One of the best Bat stories that I've read.
Format: Paperback
Coming off from The Long Halloween, Jeff Loeb and Tim Sale give us the sequel to their popular story tale in which we see Batman go at it with another year long mystery, while also giving us an origin story for the first Robin, Dick Grayson. After reading this book, I have come away having with even more love of the Dark Knight's mythology, while coming to see this as my favorite Batman story that I have read, even if it doesn't stand as well on its own.
ON the narrative side of things, Loeb delivers a story fairly similar to the one he gave in The Long Halloween, though I feel this one is a bit more polished than Halloween was. Some have said that the retreading of plot structure have limited the way Loeb's later works are read, but I myself have no problem with it (for the most part), Loeb manages to do enough differently that you don't feel like you're reading the exact same story. The real big negative I'd have to give this graphic novel is that it really doesn't stand as well by itself than if you had read The Long Halloween. While I myself read that story before coming in to this one, I did see many connections that I would assume would through off any newcomers who hadn't read the prior story. But I will say that this is the story that had me invested the most emotionally. Without giving away any spoilers, that last page in the novel gave me such a cathartic experience that I really came to appreciate certain aspects of the Dark Knight's mythology, and how themes of loneliness were touched upon in a very genuine way.
Looking at the art for the novel, Sale's work has improved much from The Long Halloween. I always mention in reviews concerning Sale that I was originally not a fan of his art, but after going through his work, you can't help but admire the level skill he manages to put in his drawings. There is a very big noir feeling in this novel (a plus for ) that is just delivered so well that any preferences in art I may have against Sale are put away in admiring the way he plays with lighting in the story. My biggest complaint for the art, which is a more of a personal thing really, is that I do not like the "pixie" costume they gave Robin (which is his default costume that many would associate him with). I have never really liked this costume, probably never will, but again, this is just me.
Overall, I would say I really enjoyed the novel and would have to recommend it to any fans of the Batman (although I'd make sure you have read The Long Halloween first). This has come to be one of my most favorited Batman stories I've read, and I hope others will receive the same level of satisfaction that I have.
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Reviewed in the United States on April 22, 2014